‘Fin-de-Siècle Symbolism and After‘
The Cambridge History of Australian Poetry (edited by Ann Vickery and Philip Mead), December 2025
‘Doom-fugues: Their centrifugal/centripetal potential‘
Overland 258, September 2025
‘A farewell and a poem from poetry editor Toby Fitch‘
Overland 256, March 2025
‘Toby Fitch Reviews Selected Visual Poems by Catherine Vidler‘
Cordite, 12 June 2024
‘Let’s Dance Redux’, poem and commentary on ekphrasis
Dancing with Architecture: and Other Ekphrastic Maneuvers, MadHat Press, 2024.
‘Object Permanence: How does the calligramme take shape?‘
Axon: Creative Explorations 13(1), July 2023
‘Toby Fitch Reviews Running time by Emily Stewart‘, winner of the University of Sydney’s Helen Anne Bell Bequest Award
Cordite, February 2022
‘Nostalgic Block‘: a review (plus bonus index poem) of Stasis Shuffle by Pam Brown
Meanjin, Spring 2022
‘What I’m Reading‘ (includes a new long poem ‘Moons’)
Meanjin blog, 19 November 2021
‘Endlings: An Essay-Poem, or Australian Extinctions Since 1788‘
Meanjin, Winter 2020
‘Zooming in on precarity: notes from a meeting between casualised staff and university management‘, with Robert Boncardo, Briony Neilson, Tash Heenan and Claire Parfitt
Overland Literary Journal, 25 June 2020
‘Our Death: Aspects of the radical in Sean Bonney’s last book of poems‘
Overland Literary Journal #238, 2020
‘The Exemplary Poem is A Fluke: Chris Edwards’ mistranslation of Mallarme’s Un Coup de Dés‘
Axon: Creative Explorations (peer reviewed), vol. 10, no. 2, December 2019
‘Toby Fitch Reviews Holly Friedlander Liddicoat’s CRAVE‘
Cordite Poetry Review, 23 October 2019
‘Aussi/Or: Un Coup de dés and Mistranslation in the Antipodes‘
Cordite Poetry Review (peer reviewed), 1 May 2019
‘Review of Dave Drayton’s P(oe)Ms‘
Southerly Literary Journal, 79 no. 1, 2019
‘Chain of Hauntings: a review of Chatelaine by Bonny Cassidy’
Rabbit Poetry Journal #24, 2018
‘I am to proliferate’: Brink by Jill Jones and Passage by Kate Middleton’
Australian Book Review, Jan-Feb 2018
‘Themparks: Farrell Transposing Ashbery Translating Rimbaud’
Journal of Poetics Research (peer reviewed), 2017
‘Ashbery Made Strange‘
Overland Literary Journal, 11 September 2017
‘Relive Your Dreams Awake: Jam Sticky Vision by Luke Beesley‘
Sydney Review of Books, 24 February 2017
‘Complicit with the Dark: Drones and Phantoms by Jennifer Maiden’
Australian Book Review, April 2015
‘Plagiarism scandal has revealed an ugly side of Australian poetry’
The Guardian, 23 September 2013
‘wild inaudible: Toby Fitch reviews Mathew Abbott’
Cordite Poetry Review #41, 1 January 2013
‘Drunk but Orgasmic: One Under Bacchus by Duncan Bruce Hose’
Rabbit Poetry Journal #4, 2012
‘Toby Fitch reviews Michael Farrell and John Ashbery’
Cordite Poetry Review, 28 November 2011
Toby Fitch 