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Critics on Object Permanence: Calligrammes:
‘Samuel J. Cox Reviews Toby Fitch and Gareth Sion Jenkins‘, Cordite Poetry Review, November 2024
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Critics on Sydney Spleen:
‘The Email May Contain Information: Eda Gunaydin on Toby Fitch‘, Cordite Poetry Review and Liminal Magazine, December 2022
‘Ben Hession reviews Sydney Spleen by Toby Fitch‘, Mascara Literary Review, November 2022
‘Writing Threat and Trauma: Poetic Witnessing to Social Injustice and Crisis‘ by Meera Atkinson (includes an analysis of ‘Dust Red Dawn’ from Sydney Spleen), Cordite Poetry Review, September 2022
‘Unhappiness and related fields‘, by Martin Langford, Meanjin, March 2022
‘Books of the Year: A look back at 2021’s literary highlights‘, (see John Kinsella) Australian Book Review, December 2021
‘A creepy little walk: Toby Fitch’s lyricism and versatility‘ by Pam Brown, Australian Book Review, September 2021
‘Justin Clemens Launch Speech for Sydney Spleen‘, 17 September 2021 on Crowdcast
‘Warnings, consequences and laments‘, a review of new books by Toby Fitch, Maria Takolander and Tony Birch by John Kinsella, The Weekend Australian, 28 August 2021
‘Toby Fitch’s Sydney Spleen‘ by Jonathan Shaw, Me Fail? I Fly, 16 August 2021
‘Journal Blitz 4‘ by Jonathon Shaw, analysing ‘The Last Few Budgets in a Nutshell’, Me Fail? I Fly, 2019
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Critics on Where Only the Sky had Hung Before:
‘An Introduction to Toby Fitch: & ici an aussi trysting the rules (Part 2)‘ by Thomas Moody
Best of American Poetry blog, 26 May 2021
‘Readymade bird in hand‘ by Sarah Holland-Batt
The Weekend Australian, 18 July 2020
Jeremy George reviews Where Only the Sky had Hung Before
Mascara Literary Review, 19 May 2020
‘Rebellious Tropes‘: Michael Farrell on Toby Fitch
Sydney Review of Books, 11 May 2020
‘Never Be Alone Again: Hip-Hop Sampling as a Technique in Contemporary Australian Poetry‘ by Liam Ferney
Cordite Poetry Review, 1 May 2020
Helen Moore reviews Where Only the Sky had Hung Before
Other Terrain Journal, 1 December 2019
‘December in Poetry‘ by Mitchell Welch
Overland Literary Journal, 29 November 2019
‘Experimental poets push the boundaries with pleasing results‘ by Broede Carmody
Sydney Morning Herald, 8 November 2019
Lisa Gorton Launch Speech
The Alderman, East Brunswick, Melbourne, 15 November 2019
Pam Brown Launch Speech for 3 Vagabond Press books
Knox St Bar, Chippendale, Sydney, 13 July 2019
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Critics on Undulating Cloud Sonnet:
‘Revicules‘ by Colin Leemarshall, p. 119
Erotoplasty #3, 2018
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Critics on The Bloomin’ Notions of Other & Beau:
‘An Introduction to Toby Fitch: & ici an aussi trysting the rules (part 1)‘ by Thomas Moody
Best of American Poetry blog, 2021
‘The Lives of the Experimenting Poets 16-18‘ by a.j. carruthers
Jacket2, 2017
‘Transcending the Conventions: Australian Poetry’ by Michelle Cahill
The Weekend Australian, 13 August 2016
Erin Thornback Reviews Chris Edwards and Toby Fitch
Cordite Poetry Review, 19 July 2016
Nova Brown Longhurst reviews The Bloomin’ Notions of Other & Beau,
Rabbit Poetry Journal #22, 2017
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Critics on Jerilderies:
Liam Ferney reviews Vagabond Press’ deciBels series 1 Ed. Pam Brown
Rabbit Poetry Journal #15, 2015
‘Art, difference and pluralism’ by Ali Alizadeh
Overland, 28 January 2015
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Critics on Rawshock:
Fiona Hile reviews Rawshock
Mascara Literary Review, 29 May 2013
Nicola Themistes reviews Rawshock
Cordite Poetry Review, 4 April 2013
Alison Clifton reviews Rawshock
Australian Poetry Journal 3.2, 2013
Peter Kenneally reviews Rawshock
Australian Book Review, October 2012
Geoff Page reviews Rawshock
The Weekend Australian, 18 August 2012
Gig Ryan Launch Speech
The Alderman, East Brunswick, Melbourne, May 2012
David Brooks Launch Speech
Brett Whiteley Studio, Surry Hills, Sydney, 22 April 2012
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Critics on Everyday Static:
Ashley Capes reviews Everyday Static
Mascara Literary Review, 2012
Toby Fitch 